科幻主义也可以很时尚

作者: 关于我们  发布:2019-09-05

科幻主义也可以很时尚

Fashions On Going Love Affair with the Sci-Fi World

《太空英雌芭芭丽娜》、《星球大战》、《大都会》热播以来,科幻与时尚就此结缘。如今,科幻大片对时尚的影响与日俱增,且毫无偃旗息鼓之势。我们小时候的科学怪咖床单和太空主题海报俨然在时装周上开启了霸屏模式。

Sci Fi and Fashion, it has been quite the love affair since films such as Barbarella, Star Wars and Metropolis first aired in cinemas. The influence science fiction films have had on the catwalk has been tremendous and continues till the present day with no sign of culminating. Our coolest nerd like 90’s bedsheets and space themed posters are everywhere on the runway now.

走近日新月异的数码时代,任何可能改变世界的小科技都影响着人们的穿衣搭配。我们顺应着科技的发展而着装,仿佛在用自己的方式宣称“来吧!我们早就准备好啦!”

As we head into a demandingly digital world, any signs we get of a changing world influences the way we dress. Dressing how we see is fit for the advancements in technology is our way of saying ‘bring it on’, we are ready for you’.

时尚就像是一面折射生活的镜子,无论是商业规模还是地下亚文化,当下的我们都处于科技、人工智能、金属粒子和四度空间茁壮发展的阶段。

Fashion is a representation of the world around us, and right now we’re going into a phase of technology, artificial intelligence, metallics and space time running strong both on a commercial scale and underground subculture.

星空概念一直是艺术、音乐领域乃至时尚设计师的灵感源泉,时装大师Courrèges曾开创“太空时代”的新局面,而到了2018年,科幻概念似乎与我们更加息息相关了。

Celestial concepts used to be something to fantasize about through creative art forms, music and fashion designers such as Courrèges creating pioneer space age designs, however in 2018, sci fi its gotten closer to our reality than ever before.

太阳2下载,AndréCourrèges, the father of Space Age fashion

科幻小说总喜欢围绕着未来科技、时空旅行、超光速之旅和地外生命等话题而展开,当然这些也成为了现代科技研究的重点对象。随着网络技术的崛起,“科技与时空未来”与我们的关系远比我们想象地近得多。

Science fictiondeals with concepts such as futuristic science / tech, space and time travel, faster than light travel, parallel universes, and extraterrestrial life which are also theories that are being explored much more seriously. It has just gotten even stronger with the internet where ‘ the future of tech and space’ is much closer to us than we might expect.

Paco Rabanne, Lover of All Things Space Age

火星生活€€火星一号项目

Life on Mars €€ Mars One Project

据英国《每日邮报》2016年报道,“火星一号”公司携手NASA的火星单程旅途即将进入尾声,剩下的100名候选人将进入更加严苛的测试阶段,从而最终在火星建立殖民地。

In 2016, The Daily Mail UK, reported the countdown to the MARS ONE project in collaboration with NASA showcasing 100 remaining candidates for the controversial one-way trip to undergo 'intense' testing for candidacy to live on Mars.

“荷兰‘火星一号’公司计划自2027年起,每两年将4名宇航员送往火星,从而逐渐在火星建立殖民地并扩大其规模。他们公布了20万报名者中筛选出的100名候选人名单,并表示将进一步测试,最终将人数缩减至40人。”-英国《每日邮报》

“The Dutch firm, Mars One wants four astronauts to land on Mars every two years in the mid 2020s, steadily increasing the settlement's size and creating a permanent colony by 2027. They revealed100 candidates on the shortlist from 200,000 candidates to establish a human colony on the planet Mars and to undergo tests as part of a new phase of the selection process to cut them down to just 40.” €€UK DailyMail

科幻小说的进化史

SCI-FI Evolution

以前的科幻片一定离不开火箭、外太空和外星人,演员很可能还穿着怪异的外空服蠢萌地挪着脚步。而科幻题材之所以成为一种真正的艺术形式,还要归功于近几年来大量的奥斯卡提名,越来越多的导演开始挖掘角色的魅力,探索人性的本质,同时融入外星大战、人工智能等元素。一切都离不开对当前生活的思考以及对外空世界的猜想。

Science fiction genre used to be all about rockets, space and aliens€€and it used to feature lumbering actors plodding around in ridiculous alien suits. Sci-fi established itself as a serious art form in the later years of the last century earning a slew of Oscar nominations where more and more directors are examining serious character studies and asking big questions about the nature of humanity while also incorporating alien wars and artificial intelligence. It’s about thoughtful, provocative examinations of the world we live in through speculation about worlds we might live in.

90年代-拉开数字革命的序曲

90's - The start of digital revolution

90年代,电子宠物和电子音乐的发展到达了巅峰期,那时,人们希望能和小伙伴一样在圣诞节记录下一篇电子日记。早期科幻电影的发展势如破竹,故事内容甚至延伸到了41世纪。其实,这些小小镜头下创造的世界没准将来会有成真的那一天。

The craze of tamagotchis, and hit clips were at its peak and you were hoping for an electronic diary for christmas because all your friends recently received one. Science fiction films caught onto the energy early on, and their films forecasted as far as the 41st century ; What we saw on set was an approximation of things to come.

但又何必苦等将来?时尚界早已整装待发,顺应着科幻大片的发布啦!这是一个左右我们购物选择的时代,鉴于科技对我们产生了潜移默化的影响,科技感爆棚的服饰更容易得到大众的青睐。

Why wait for the future when the fashion world was well equipped to make futuristic like garments going in parallel with a scifi block buster release. This era was shaping how we would come to shop, we were being introduced into technology at a slowly intimidating pace thus our desires to compete by looking futuristic were demanding.

我们将荧幕上的形象具象化,比如戴副黑框眼镜致敬《黑客帝国》,或是用YSL星球大战系列,化上女王Amidala的妆容,真是再酷不过了!

We were embodying what we saw on the big screen, and there was nothing more powerful than owning a pair of blacked out sunglasses to portray a matrix fan or wearing YSL’s Amidala-inspired make up to look like the queen of Star Wars.

Cosmic Millennial

VR专家认为我们很可能即将进入到现实与虚拟错综交叉的灰色世界,迎来诸多不确定性。

VR experts believe that we may soon enter a grey territory of uncertainty when differentiating the digital world with reality.

设计师跳出戏服的影响而自成一派。电影《第五元素》戏服由Jean Paul Gautier设计,并由名模Milla Jovovich和€€ve进行演绎。电影《大都会》则描述了一个富有统治阶级与贫苦工人阶级对抗的故事,映射出现实世界的种种矛盾。

Designers have gone from being inspired by costume designers to becoming one. The fifth element wardrobe was designed by Jean Paul Gautier and featured models such as Milla Jovovich and €€ve. Story lines such as Metropolis are evident in society today around the world, a display of disturbed dystopia between the rich rulers of the city and poor working class.

Valentino PreFall 2015 Collection

ChanelAW17, Paris

CELESTIAL FASHION

大家都有强烈探求未知的欲望,网络刚好是好奇宝宝们了解火星生命、畅言“地平说”阴谋论的最佳平台,品牌捕捉到了这一点。全世界最优秀的品牌懂得倾听客户的声音,无论出于盈利还是出于社会政治目的。

Society is curious for answers, the internet is a fascinating platform for those that are curiously minded and what to know more about life on mars, or conspiracy on whether earth is in reality flat and brands see this. The best brands in the world will listen to their client base both for economic and sociopolitical reasons.

据美国商会基金会调查显示:在排名前20的品牌中,其中有25%的品牌通过用户原创内容了解消费者体验,确保客户需求符合品牌的战略目标。此外,自20世纪末以来,科幻大片犹如雨后春笋般上映,如:《星际穿越》、《明日边缘》、《死亡幻觉》、《决战猩球》、《机械姬》、《银河护卫队》、《神奇女侠》、《银翼杀手2049》、《攻壳机动队》等。

According to a research conducted by the US chamber foundation: ‘In 25% of searches for the top 20 brands, results are links to user-generated content having major implications for brands to become aware of others’ experiences of their product / services and ensure that it is in harmony with their strategy’. Moreover, in the late 2000’s we’ve seen more sci-fi blockbuster movies than ever before from Interstallar, Edge of Tommorow, Donnie Darko, Planet of the Apes, ExMachina, Guardians of the Galaxy, Wonder Woman, Blade Runner 2049, Ghost in a Shell and more.

GucciAW17 Campaign

所有这些因素解释了为什么近几年来,各大品牌都巧妙迎合了消费者的社会文化观点。如:Gucci 2017秋冬系列中,模特摆起了《星际迷航》的姿势,拍的大片也是以躲避恐龙、被外星人俘虏为主的主题;Coach 2017夏季系列则对NASA的徽章大做文章,为太空粉专供一期限量胶囊系列;Valentino 2015早秋系列又为太空风注入了新的幻想。

This trend helps explain why we’ve seen labels over the last years hone in on what their customers sociocultural views are. Gucci’s AW17 collection had models pose in Star-Trek influenced scenarios where they are photographed fending off dinosaurs and falling prey to extra-terrestrial existence; Coach worked with NASA inspired badges on its summer 2017 collection offering a limited capsule edition for their space fans out there and Valentino created a space collection during their pre fall 2015 collection.

GucciAW17 Campaign

Coach NASA Campaign

Moncler 2015 Campaign

也许会有那么一天,机器人将取代人类,人工智能将战胜人类大脑,但至少在那一天到来之前,我们可以利用时尚将自己打扮得美美哒,等待着去遨游外太空。

There may be a time when robots replace people and artificial intelligence is more powerful than the human brain, but until then we turn to fashion to support us in looking fabulous, for when the time is right to travel into out in space.

Karlie Kloss’WSJMagazine CoverGigi’s Space Odyssey forHarper’s BazaarCara Delevingne’s BritishGQCover

撰文:Abithaa Santhiramathavan 编辑:Yanie Durocher

Photo Source/ 图片来源:

vogue,pinterest,conceptartworld,digitaltrends,hollywoodreporter,highsnobiety, refinery

Article is original and created by Abithaa Santhiramathavan, edited by Yanie Durocher

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